ORECHO STUDIO

statement

Orecho HONDA

Contemporary Artist

Born in 1977 in Fukuoka, Japan.
Graduated from the Fashion Design course at Musashino Art University's Faculty of Spatial and Display Design in Tokyo.

おれちょ本多 / Orecho HONDA

I create paintings as contemporary art under the theme of "A Reality Shaped by Perspective."

The core of my practice is a unique technique of layering transparent pigments over holographic material to refract light, thereby painting light itself onto the pictorial plane. Transforming its appearance dynamically in response to light and viewing angles, this mixed-media work references the sensibility and linework of Rimpa school masters—who captured light using gold and silver leaf—while echoing the Gutai group’s spirit of "bringing out the life of the material."
Building upon the legacy of Cubist multi-perspectivity, I focus on the intrinsic multi-perspectivity of the material itself, developing a multi-perspective expression as an "active experience" in which viewers exercise their own agency in choosing their vantage point.

Drawing on the observer effect in quantum mechanics and the Buddhist concept of kū (emptiness), I use the shifting brilliance of holograms to bring to consciousness the human tendency to see what we desire from the angles we choose. My aim is to present the possibility that the world can be endlessly recreated and redefined at any time, simply through the very act of shifting our perspective.

The motifs of flora and landscapes are all "realities" captured through intuition within my daily life. Taking these as a starting point, I express them through works where meticulous composition and the physical strokes born at the moment of creation intersect in multiple layers. Deep within these motifs—melting into light, appearing and disappearing—reside the memories of my own lived experiences. Ordinary scenes, time, and events can all take on a "special glitter" based solely on our choice of perspective. This is a personal conviction I have cultivated through my own experience of living in this world.

In an era where truth is multilayered, I believe that the ability to consciously control how we select and interpret information becomes a vital power for living in a more ideal world. It is my hope that my work will illuminate the viewer’s own inner perspective, serving as a catalyst for transcending one's personal boundaries.

The name "Orecho" (in Japanese, "Ore" means "Yourself" and "cho" means "Go beyond") symbolizes his intent to continually challenge and go beyond his own limits.

越己本多 | Orecho HONDA

現代美術家

1977年出生於日本福岡縣
畢業於武藏野美術大學 空間演出設計學系 服裝設計專業

越己本多 / Orecho HONDA

我以「由視角所締造的現實世界」為主題進行繪畫創作。

創作的核心在於一種獨特技法:在全息素材上記錄堆疊透明顏料以折射光線,將「光線本身」直接描繪於畫面之上。作品群隨觀看角度與光線呼應並呈現多彩變化,既參照了昔日琳派畫師運用金銀箔將光線引入畫面的感性與線描,亦是與具體美術「展現物質生命力」之精神產生共鳴的複合媒材創作。昔日立體主義為多角度捕捉對象而創造了多視角表現,我受其影響的同時,進一步著眼於物質本身的「多視角性」,展現出一種由觀者依自身意志選擇視角的「主動體驗」式多視角表現。

以量子力學的觀測者效應及佛教的「空」思想為背景,透過全息光輝的變化,將人們「試圖以自己渴望的角度去捕捉想看事物」的無意識行為轉化為意識化;並提出只要我們改變視角,世界隨時都能、且無論多少次都能被重新締造的可能性。

作為創作題材的花草與風景,皆是在日常生活中偶遇並憑直覺擷取的「真實現實」。以此為創作起點,將縝密的構圖與繪畫瞬間產生的身體筆觸交織重疊,轉化為作品呈現。在溶於光線中若隱現的花草與風景深處,寄宿著我親身體驗過的記憶。被視為日常的風景、時間與事件,僅憑視角選擇的不同,便能披上「特別的光彩」。這是我在這個世界上生存至今所獲得的切身確信。

在真理日益多層化的現代,意識性地掌控「資訊的選擇與理解方式」之感官,將成為活出更理想世界的力量。我期望自己的作品能照亮觀者內心的視角,成為超越自我界限的力量。

名字「Orecho」(在日文中「Ore」代表「自己」,「cho」代表「超越」)象徵著不斷挑戰並超越自我界限的意圖。

CV